16 098 безплатни аудиофайлове за "Midi Files Created With Gnu Lilypond"

*Small diesis on C. Just: 3125:3072 = 29.61 cents.

Lydian dominant scale on C.

Iidim6 chord in C.

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

clave pattern in 5/2

Prime row form from Stravinsky's Requiem Canticles.

clave pattern in 7/4

Example of the submediant ("triad on VI") used as a dominant preparation.

Blast beat drum pattern.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

Salve, sancta parens, Rätselkanon von Ludwig Senfl. Der lateinische Text lautet: "Salve, sancta parens, dulcis amor meus, virgo pia, salus mundi, coeli porta".

Heavy metal gallop variation featuring triplets.

Satz aus "Bilder einer Ausstellung"

Simple and compound major third (major third and major tenth).

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

3-2 Son Clave Pattern in duple time.

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Rumba Clave Pattern in triple time.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

Süßer die Glocken nie klingen

*1681th harmonic on C = G♯. Just: 1681/1024 = 858.12 cents. Limit: 41-limit. MIDI pitch bend: 76,50

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

*Pythagorean minor sixth on C = A♭- (Ben Johnston's notation). 128:81 = 792.18 cents. Limit: 3-limit. MIDI pitch bend: 64,61

*Pythagorean diminished sixth on C = A--- (Ben Johnston's notation). 262144:177147 = 678.49 cents. Limit: 3-limit.

*Septimal major third on C = E (Ben Johnston's notation). 9:7 = 435.08 cents. Limit: 7-limit.

*Pythagorean diminished octave on C = C♭-- (Ben Johnston's notation). 4096:2187 = 1086.31 cents. Limit: 3-limit.

Ratio between pitch and length of an organ pipe: octaves.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

*Lesser just minor seventh on C = B♭- (Ben Johnston's notation). 16/9 = 996.09 cents. Limit: 3-limit. MIDI pitch bend: 96,62

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

*Undecimal minor sixth/Undecimal augmented fifth on C = G↑- (Ben Johnston's notation). 11:7 = 782.49 cents. Limit: 11-limit.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7

*Pythagorean minor third (semiditone) on C = E♭- (Ben Johnston's notation). 32:27 = 294.13 cents. Limit: 3-limit. MIDI pitch bend: 15,62

*Wide augmented third on C = E#+ (Ben Johnston's notation). Just: 675/512 = 478.49 cents. Limit: 5-limit. MIDI pitch bend: 15,89 on M3

*Septimal major sixth on C = A (Ben Johnston's notation). 12:7 = 933.13 cents. Limit: 7-limit.

*Sixty-seventh harmonic on C = ?. Just: 67/64 = 79.31 cents. Limit: 67-limit. MIDI pitch bend: 49,89 on PU

*12 steps in 17 equal temperament on C = G♯ (Easley Blackwood's notation). Equal-tempered: 212/17:1. MIDI pitch bend: 8,79

11-tet scale on C. MIDI pitch bend matches intervals.

Supermajor sixth on B7b. Created by Hyacinth (talk) 20:20, 19 March 2011 (UTC) using Sibelius 5.

*Septimal minor sixth on C = A♭ (Ben Johnston's notation). 14:9 = 764.92 cents. Limit: 7-limit.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.